{"id":129,"date":"2015-11-08T22:25:56","date_gmt":"2015-11-09T06:25:56","guid":{"rendered":"http:\/\/gantercourses.net\/litflix\/?page_id=129"},"modified":"2015-11-08T22:25:56","modified_gmt":"2015-11-09T06:25:56","slug":"videos-multimedia","status":"publish","type":"page","link":"http:\/\/gantercourses.net\/litflix\/videos-multimedia\/","title":{"rendered":"Videos + Multimedia"},"content":{"rendered":"<br><div class=\"wb_video_container\"><div class=\"wb_vertical_container\"><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=235&hash=b6186c5dfcc3e5df26c459fc58aaf1f4\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"Why Kevin Spacey&#039;s Accent in House of Cards Sounds Off - Vox Magazine\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/mgCeH3xovDw\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=235&hash=b6186c5dfcc3e5df26c459fc58aaf1f4\" class=\"wb_video_title thickbox\" title=\"Why Kevin Spacey&#039;s Accent in House of Cards Sounds Off - Vox Magazine\">Why Kevin Spacey's Accent in House of Cards Sounds Off - Vox Magazine<\/a><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=236&hash=46b8d5ae0cef187eaeb6fa7f22ccffe4\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"Every Shot in &quot;House of Cards&quot; Is the Same [Slate Magazine]\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/SuRXobQYVaU\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=236&hash=46b8d5ae0cef187eaeb6fa7f22ccffe4\" class=\"wb_video_title thickbox\" title=\"Every Shot in &quot;House of Cards&quot; Is the Same [Slate Magazine]\">Every Shot in \"House of Cards\" Is the Same [Slate Magazine]<\/a><div class=\"wb_video_description\"><div id=\"watch-headline-title\">\r\n<h1 class=\"yt watch-title-container\"><\/h1>\r\n<\/div><\/div><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=237&hash=187c36b7468b5dfc9bce0abb7ed29189\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"A Brief Look at Texting and the Internet in Film\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/uFfq2zblGXw\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=237&hash=187c36b7468b5dfc9bce0abb7ed29189\" class=\"wb_video_title thickbox\" title=\"A Brief Look at Texting and the Internet in Film\">A Brief Look at Texting and the Internet in Film<\/a><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=225&hash=52d328682227e647604c586bc79cfe5d\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"bell hooks and Laverne Cox in a Public Dialogue at The New School\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/9oMmZIJijgY\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=225&hash=52d328682227e647604c586bc79cfe5d\" class=\"wb_video_title thickbox\" title=\"bell hooks and Laverne Cox in a Public Dialogue at The New School\">bell hooks and Laverne Cox in a Public Dialogue at The New School<\/a><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=224&hash=52aff97b8ea6c525b37871bbac7fde50\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"Piper Kerman | Author of Orange is the New Black (The National)\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/9OGCBlDO_hM\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=224&hash=52aff97b8ea6c525b37871bbac7fde50\" class=\"wb_video_title thickbox\" title=\"Piper Kerman | Author of Orange is the New Black (The National)\">Piper Kerman | Author of Orange is the New Black (The National)<\/a><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=223&hash=8f1c17b5385f05d865efe6a34fab0544\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"Piper Kerman On How Her Book Has Influenced Perception of Prison\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/MAKFXeJi2GA\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=223&hash=8f1c17b5385f05d865efe6a34fab0544\" class=\"wb_video_title thickbox\" title=\"Piper Kerman On How Her Book Has Influenced Perception of Prison\">Piper Kerman On How Her Book Has Influenced Perception of Prison<\/a><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=222&hash=b1b53fa063cc2077ed3171ae2d5421e2\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"Piper Kerman: Imprisonment Is &quot;Inappropriately Used As A Tool Of Control&quot; In Communities Of Color\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/MoTx_Vsn_Ng\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=222&hash=b1b53fa063cc2077ed3171ae2d5421e2\" class=\"wb_video_title thickbox\" title=\"Piper Kerman: Imprisonment Is &quot;Inappropriately Used As A Tool Of Control&quot; In Communities Of Color\">Piper Kerman: Imprisonment Is \"Inappropriately Used As A Tool Of Control\" In Communities Of Color<\/a><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=221&hash=8c76823a656bb1a62d240f468c9c8d5b\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"Junot Diaz - Art, Race and Capitalism\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/GQH-nVX8hT4\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=221&hash=8c76823a656bb1a62d240f468c9c8d5b\" class=\"wb_video_title thickbox\" title=\"Junot Diaz - Art, Race and Capitalism\">Junot Diaz - Art, Race and Capitalism<\/a><\/div><div class=\"wb_video_item\"><a href=\"?height=389&width=560&wbvideoajaxid=220&hash=6461b64934c5bab50673c7712d847660\" class=\"wb_video_image_link thickbox\" style=\"position: relative;\" title=\"Junot D\u00edaz: Immigrants, Masculinity, Nerds, &amp; Art\"><img decoding=\"async\" src=\"\/\/i.ytimg.com\/vi\/TA8X6TUA83k\/default.jpg\" width=\"120\" class=\"wb_video_image_img\"><b class=\"wb_video_icon\"><\/b><\/a><a href=\"?height=389&width=560&wbvideoajaxid=220&hash=6461b64934c5bab50673c7712d847660\" class=\"wb_video_title thickbox\" title=\"Junot D\u00edaz: Immigrants, Masculinity, Nerds, &amp; Art\">Junot D\u00edaz: Immigrants, Masculinity, Nerds, &amp; Art<\/a><\/div><\/div><\/div><br style=\"clear: both;\">","protected":false},"excerpt":{"rendered":"<p>Why Kevin Spacey&#8217;s Accent in House of Cards Sounds Off &#8211; Vox MagazineEvery Shot in &#8220;House of Cards&#8221; Is the Same [Slate Magazine] A Brief Look at Texting and the Internet in Filmbell hooks and Laverne Cox in a Public Dialogue at The New SchoolPiper Kerman | Author of Orange is the New Black (The [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"ngg_post_thumbnail":0,"_links_to":"","_links_to_type":0,"footnotes":""},"class_list":["post-129","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/pages\/129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":1,"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":131,"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/pages\/129\/revisions\/131"}],"wp:attachment":[{"href":"http:\/\/gantercourses.net\/litflix\/wp-json\/wp\/v2\/media?parent=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}